The T'ang Chinese artist's work has been reported Haywen especially after his death in 1991, although his work has not yet achieved the recognition it deserves. In T'ang inks seem to merge traditional Chinese painting, as practice has intuitive and emotional power of abstract expressionism. They were usually European and American artists who were interested in the formal qualities of Zen and Taoist painting, tailoring them to their search words. T'ang Haywen is a opposite case. His works, often of small size, they incorporate procedures for the abstraction of his time to the traditional painting of his country. Thus, the contemporary aspects complement and enrich the heritage of the past. The result is a painting of a powerful graphic impact, which can be seen to varying sensitivity of Western abstract artists. Drawn brushstrokes with serenity, suggesting a landscape that at times seems to be a sign or ideogram. At the same time, abstract forms that explore the accident, the blast of the inks, the spontaneous stroke and transparencies.
experimental film in the T'ang Boogie, held in 1973, included 24 different images per second. T'ang inks glide with surprising speed, as forms that should be captured in an almost unconscious, until the court comes to a sudden stop dizzying sequence. A moment of calm, as the end of a journey, a discovery of a remarkable expressive force.
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