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FOURTH ANIVESARIO

OF

meet these days is the anniversary of my blog cuartoa "A man", 48 months, 102,864 entries, 133,996 pages read, here's all the love and affection that I have dedicated, not if you know much match generosity, I thank so many friends that I have visited and commented on my posts your encouragement and understanding.

Coincidentally this anniversary coincides with the beginning of Advent, a word that perhaps for many today means nothing. To understand it seems to think that the joy we receive when we announce that a very dear will soon come to our house, with the Advent us the announcement of a wonderful reality that Jesus is about the lives of men as our Savior. Let everyone live
this arrival with great anticipation and joy, considering what is coming.
Let's live the true Advent, who comes from inside the believing heart of man, and especially the depth of God's love.
With this love I embrace you all my friends from the five continents, have followed me during these four years, and I ask you sigais remembering this humble blog.

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Kom

The lack of familiarity with an artist in contemporary societies is not necessarily to do with censorship, rather functions as a spring that provides the institutional consecration. The poor recognition of a creator is usually the case when it comes to personalities who ignores trends art istics dominant. Or when you simply have neither the interest nor the social skills they often demand an adequate insertion in the art market. Unfortunately, contemporary artists have to invest much of their time on marketing efforts for which are not always trained, networking, partnerships and concessions, to strategize and lead to scandals that captivate achieve market representatives and cultural centers.

Cuban painter Luis Trápaga is one of those figures whose work has remained in the shadows for a little over two decades. His works have been exhibited infrequently and most of the time-Aglutinador Laboratory, the gallery that runs the creative alternative Sandra Ceballos. With all the limitations and the virtual character that has underground in Cuba, internet (through blogs, facebook and sites like YouTube) is offering opportunities to disseminate their work through other channels than the Cuban galleries and cultural centers. In the blog Habanero bewitchment, Leah Villares, I found this video entitled Kom text, made from a series of drawings of Trápaga.

In the video, very much in tune with the t heading for the series, im Agen slide as if you were flipping through a book. The preposition 'with' misspelled as 'Kom' points to two features of the drawings. The first is that the texts function as graphic elements, rather than written messages. The second is the visual violence. The bodies paths with vigorous contour lines, filled with colors visually intense, with traces of insects or birds with deformed body types, associated with incomprehensible texts or inconsistent, drawn on printed pages in the dark can be recognized scientific formulas, creating the effect of wedded life instantly, like a scream of pleasure or as a shock that makes this bearable. Trápaga manages to move the explosive sense of graffiti, usually associated with public art, to the pages of books and to the individual experience. sex scenes Kom have a powerful Text existential dimension, a stridency that makes contemporary even remember many of the grotesque figures that were in vogue during the second half of the sixties. Sex scenes linked to a sense of distress that may express, at a deeper level than many so-called critical art demonstrations, conflicts being experienced by Cuban society.

Text Kom is a criticism of this from a rather subjective, without incurring the political content that always carry the danger of sliding into the pamphlet and the obvious. It is also a celebration of sexual pleasure, exalted as a holiday enjoyment, uninhibited, orgiastic. In Kom Text, together with the cry, there's plenty of improvisation and humor, exaggeration comedy and farce.

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Thanks Caritas.

In the current moentos, the crisis is generating a high speed, new groups of homeless people sleeping on the street, increased overcrowding, many are forced to occupy empty houses, thousands without means to eat or dress ... etc.etc.

The social lanbor develops Caritas is very broad and diversified. Not only develops activities for the care, rehabilitation or social integration of victims of poverty and social exclusion, it marks the emphasis on advocacy and denunciation of the causes of the injustices that create these situations.
Caritas have to thank this great work, by relying on input thousands of anonymous donors who selflessly collaborating with those for humanitarian purposes.
let us encourage all to contribute to this noble and generous work of the Catholic Church, which is helping both susistir power to thousands.

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A Cesar incorruptible.

democratic society as Caesar wished to elect the best person, but not always possible.
what society tries to do is create a mechanism to get a Caesar who is without its own flaws: a corrupt society hopes to have a Caesar incorruptible, a society without character, Cesar full resolution. But no social mechanism can provide the virtues of society lacking misma.Porque where does the virtues are to come?, Not the mechanism of choice. The simple truth is that Caesar will be intellectually and morally similar to the society that has to rule, was to occur that could be the kind of ruling that the subject would be trained if the roles were changed.

The only way to achieve a good Caesar is to achieve a good society. Achieve a good society is a serious matter, is good men, who see reality as it is and strive to harmonize life with that vision.
deliver us not utopias, while companies like ours are never Caesars will have better than ourselves, more or less honest, more or less good, or mediocre and poor morale.